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The BBFC's Annual Report for 1926 mentions that the film was rejected for "inflammatory subtitles and Bolshevist Proaganda". The film was rejected when first submitted to the BBFC in September 1926, on the grounds that films should not address issues of 'political controversy' and that Potemkin's pro-Revolutionary message was therefore unacceptable for classification. The film, like many Russian silents of the time, was clearly, carefully and powerfully designed as pro-Bolshevik propaganda. įor more details, please see our privacy notice.Sergei Eisentein's silent classic was made in 1925 as a homage to the abortive 1905 Russian naval mutiny. You can unsubscribe at any time by clicking on the unsubscribe link at the bottom of every email, or by emailing us at. We will never give your details to anyone else without your consent. We will only use your email address to send you the newsletters you have requested. News from Dezeen Events Guide, a listings guide covering the leading design-related events taking place around the world. News about our Dezeen Awards programme, including entry deadlines and announcements. Dezeen Jobsĭaily updates on the latest design and architecture vacancies advertised on Dezeen Jobs. Dezeen DailyĪ daily newsletter containing the latest stories from Dezeen.
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"Therein lies the challenge, but I like an uphill battle, and a chance to change minds." Triangular windows are among Mäusebunker's distinctive featuresĪnother film directed by Eddy that celebrates brutalist architecture is The Absent Column, which focuses on the Prentice Women's Hospital by Betrand Goldberg in Chicago.Įddy recently published a documentary with Dezeen that explores the life and work of Helmut Jahn, the American-German architect who passed away in 2020. "But they are, admittedly, difficult to repurpose." "These are not easy buildings to love, they are downright loathed by many, but they are important and they are unique," Eddy said. It is one of the 20th century's most controversial architectural styles. Read: Brutalist buildings threatened by right-wing politicians as part of "attack on the welfare state"Įddy hopes the screening of Battleship Berlin will help to "spotlight the cultural value of brutalist architecture" around the world.īrutalist architecture is characterised by bold monolithic forms cast from exposed concrete. Lesser-known details, such as its heavily tiled interiors, are also revealed. Woven between the interviews is footage of Mäusebunker from different angles, highlighting its famed pyramidal form, projecting blue pipework and triangular windows. "The conflict between the two opposing mindsets – preservation or demolition – is always the key storytelling element." "In the case of the Mäusebunker and Battleship Berlin, it was inevitable that I was going to make a film about it as soon as it exploded into view in front of me," he told Dezeen. Battleship Berlin features interviews and footage of the buildingĮddy told Dezeen that the conflicting views over the future of Mäusebunker were an "inevitable" subject for a film.
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The 10-day Dezeen screening follows its premiere last year on the website of König Galerie, a gallery founded by Johann König who is among those featured in the film.Īs an advocate for the building's preservation, König proposes transforming the building into a cultural centre, taking cues from the König Galerie that he created within a brutalist church.Īt the other end of the spectrum is Axel Radlack Pries, the dean of the Charité hospital that owns the building, who described it as "a huge concrete monster" and supports its demolition.